Part 1: I asked the right questions too early and got scared...
I know nothing about science that reaches beyond the first page of my iodine stained GCSE text book. I was an arty/musical kid, but at school I was ‘top streamed’ in the sciences. I realised that if I re-worded textbook paragraphs cleverly, neatly, illustrations an’ all, I could spin off ‘A’s really easily. I could regurgitate theories. But I didn’t get it! And I still don’t. Guess I’m not wired that way, just couldn’t grasp the theories, like science dyslexia of sorts, same with Mathematics. It all seemed so definitive, so...learned. Chemistry was the worst, periodical tables appeared like a pretty embroidered sampler, I was looking at the charts like some sort of symbiotic code, or hieroglyphs, recognising shape but not significance.
These are huge concepts for a
young child to understand theoretically and grasp emotionally. I switched off.
I bailed. I wasn’t ready for the epic stuff! I asked the right questions too
early and got scared. Yup, I’m a wimp. So, my flirtation with science ended and
my love affair with art began...
Art and science seem like
opposites in one sense; Art is expressive, emotive, decorative, or conceptual.
Conversely, science is fundamentally finite (with infinite applications),
logical, ordered, practical, functional.
Or so I thought. But the more I
study art, the more I see parallels with Science. The one main, glaringly
obvious one being that ultimately, both are about creation; Creation as an act in itself (Art), or in Science, the
study of creation. In art, we appreciate the results of an artist’s creation;
in Science with appreciate the blue prints and principles of creation itself.
Scientists are the students of
nature. They aren’t the instigator of the event, in the same way artists are. They
study an event: the model of nature, concepts and systems of creation. They
dissect, analyse, finalise, create rules, formulas and boundaries and only
then, do they choose to instigate an event. Again, their creation mimics
natural phenomena, but they aim to mimic it from not from an
emotional/subjective/personal perspective as an artist does, but from a
collective perspective and abiding by their carefully assembled rules eg.
Telephones mimic natural communication and amplification. Computers mimic
brains, and so on...
I’ve got so much more to say on
this, but I fear this is becoming a bit of a self indulgent thought stream, and
besides, I’ve a painting to finish. Ironically, one that’s been carefully
planned, boundaries pencilled in, measurements taken, experiments and trials
done. There’s art in science and there’s science
in art.
Gardeners, chefs, dancers, actors,
musicians etc are all artists and scientists. And Leonardo Da Vinci- ‘nuf said.
Eli Seigel sums it up well in his
Lecture ‘Educational Method Is Poetic’. http://www.aestheticrealism.net/lectures/Tro1448.htm#begin
"The relation of art and
science is a relation of opposites. The purpose of art
is: from feeling to get to truth. The purpose of science is: from truth to get
to feeling or emotion. But they are about the same thing, with different
direction."
is: from feeling to get to truth. The purpose of science is: from truth to get
to feeling or emotion. But they are about the same thing, with different
direction."
We all have compulsions and we
all have rules. The two co-exist. Opposites attract. Yes. Like the cat and
Paula.